# Writing Echoes

Delijah's Writing Blog

## My board and a (quite late) mid-year update

There are a bunch of things on the board in front of my writing station, behind my computer screen. Some postcards, seals, visiting cards and the so-called Japan kit, which includes member and discount cards for several places in Tokyo, along with my passport and the commuter’s pass. There is my organ donor card, and the postcard I wrote to myself from Tokyo Tower.

There are also some notes to myself, my screen resolution for making walpapers, a fosilissed shark tooth, and a silly pictures with friends at a concert line. And things related to writing.

There is a rusty Welsh pound that I found on a dry streambed in Tokyo, and I’m waiting for it to tell me its story (not its history, which was probably a random British person throwing a coin into a body of water for luck, which they do sometimes). But there is a story there, and sometimes I look at the coin and wonder. It will come.

There is a Tengu ex machina note, just because. The term ocurred to me while working through The Last Yōkai War of Edo. It’s like the Deus ex machina, but… with tengu. I went back and corrected the whole thing, but I left the note, as a reminder.

There is also a reference to Setsubun, a Japanese festival for luck. It conjures luck and chases the oni away. But I don’t mind the oni. As a matter of fact, I like writing yōkai, so my note reads は外!も内、 福は内! Oni wa soto mo uchi! Fuku wa uchi! It means, let the oni in too, not only the good luck.

Finally there is a small note, right in my line of sight, that reminds me that in 2016 I have to focus on writing Shourai, the Hyakki Yagyō verse and the Shikigami verse. There is a tick mark next to the Hyakki Yagyō line. That is because I have worked a lot on that this year. The original idea was only writing these three verses, along with the blog articles and finishing Atlantis in January for the climate fiction contest (Atlantis did not get anywhere in there though, unfortunately). The note has little laughing signs around as I deviated from this plan…

A little over a fourth of what I’ve written this year till now has been Hyakki Yagyō. Not only the main work I had to do, also a few short stories that will need some revision to fit in to the main timeline. That makes about 66,700 words on this verse.

Shourai has taken almost 33,000 words, which does not feel that much, but it almost 13% of the written material this year and 10.5% of the written total. I’m nearly done with the arc, I’ve decided. I’ve chosen an ending point, and now I have to backtrack and fill in the gaps (and actually write the last chapter), break down chapters and so on. there is a lot of green in the planning now. But editing this is going to require a lot of effort. I’m kind of toying with the idea of finishing all the writing before the year is over… but we’ll get to how I can’t keep to decisions later…

There are around 24,000 new words on the final Shikigami book. All the main points are planned and addressed, but the small, driving story is what I’m lacking. Although the character is important and I like him bunches, it is difficult to factor his POV in to have him drive the story. I need around 25,000 words more on this book, and again, it’s difficult to juggle how, even if I do want this finished this year.

So this is what I was supposed to write this year, fiction wise. Blogging and articles are factored in, as I need to improve non-fiction writing skills. All in all, there is 61% of planned writing actually being done. The problem thus lies on the 39% that I was not supposed to have been writing, mainly Body and Soul, weird urban fantasy, The Studio, which tried to be a gothic ghost story, and One shot kill, a retake on the story my writer from Untitled was working on. These and a couple of short stories almost account for 100,000 words! And there is still NaNoWriMo to come, which probably will be something completely random decided on a whim in October anyway… At the moment I’m pushing to lock down One shot kill after it got slumped for two months and hope to be done within the month.

That’s it, I’m officially declaring 2017 an editing and rewriting year. I should have done it this year, but then on a whim I decided to go for 366,000 words in total I’m on track for that goal, too – generally with new material, except for the revision of The Last Yōkai War of Edo, which was quite a rewrite of most of it anyway.

Have some pretty graphs to look at:

P.S.: I’ve taken down the Archives page, because I was not keeping up with it anyway. You may now search using tags and / or categories and I’ll make sure to keep a good tag system current.

## Introduction to ScreenWriting + Body and Soul

Last week I started a FutureLearn course called Introduction to Scriptwriting. I’m busy as hell these days but I figured out that I could dedicate some time to it for the two weeks it lasted, or afterwards, or just forget about it if it was not interesting. I was surprised because I did find it quite interesting – albeit I probably need to watch more films as I could not find anything they proposed that I had watched ^^””

Although sometimes the “teaching team” seems to be just brushing and patting their egos at times, there are quite a few interesting things that they mention.

One of the things I liked was this quote: “Stories happen because somebody wants something and has trouble getting it” ( David Mamet). While it’s common enough to be (uncredited) even in TVTroopes, I came across it at a time when I was ready to toss the story I was compassing through – more about that later – and it actually helped, even if it caused an unexpected twist. The idea is simple indeed; it just summarises character + goal + conflict, but at that time it felt refreshing on what I was working on.

Then the educators propose a way to pitch or summarise a story in five parts (fingers): genre, main character, goal, problem, and theme (they call it “something important”). While I’m not convinced about the need to define the genre beforehand, as half of the time I’m not even sure of how to classify what I do, I am thinking that I can adapt the method somehow, even with my own categories – after all I write ‘yakuza’ in the NaNo page under genre most of the time. Or I can just substitute it with ‘universe’ as lately it seems that most of what I write is linked to something else.

All in all, I like the insight I’m getting from the course. I really hope it keeps up – both the second week and the future ones they claim they’ll do.

For now I can say that it did help me finish Body and Soul, though. I’ve been compass-ing my way through that since the characters bombed the timeline I had organised, and the plan went to hell, but now it’s done. The problem is that a while ago I agreed with myself to start that and while I was working on that figure where I was taking Terazuma’s character arc to incorporate into the Shikigami verse, guess what I didn’t do. Exactly. Work on Terazuma.

I’ll never change.

## Body & Soul: To fantasy or not to fantasy…

As it happens now and again I’ve lost drive on Shourai, so I need to take a break from that. My other option / homework for this year, working on the wrap-up on Shikigami book needs some more planning (I’ve got the first act written, and the last act thought, but I need to make some serious planning for the act in-between.

So while I plan, think and consider, I write other things – sometimes Shourai, sometimes other stuff. Last month, for example, I had the ‘brilliant’ idea for a classical Goth ghost story, on The Studio. My reasoning was that since I had been writing Japanese Ghosts for so long, maybe I could give it a try to the old ghost genre. That did not work as well as I had expected, but it was an interesting take nonetheless. Unfortunately the ghost had more character than my mains so… rework is needed. The truth is that the plotbunny bit so suddenly that I did not really plan anything, just jumped into it.

These days I’ve given into an old plotbunny that is quickly developing into a mix of several ideas I’ve turned around my head before (Provisionally named Body and Soul). At the moment I’m considering developments and jigsaw-puzzling. I’m juggling four characters, but I know that the story has more of them, with greater or lesser importance. I’m thinking about switching the sex of at least one of the main characters in order to make him a she, but not sure which one –as I write these lines, however, I’m more and more clear on who, how and why though, which is one of the reasons why I wanted to rant about this.

There is another question in here and that is whether I want to sprinkle the story with a bit of fantasy or I want to keep it realistic. I want to decide about that early on, because random ‘magic’ (using the word ‘magic’ loosely) in the middle of the story would feel inconsistent, I feel. Both fantasy and non fantasy angles have their appeals, and both have their put-offs. On one hand, fantasy can explain certain events, on the other hand, it’s hard to balance fantasy when two characters work in a hospital… Science and magic, that’s strange to mix, and how to introduce the edge early on is also tricky.

Ah, decisions, decisions…

On another topic, I’m on the right track to complete this year writing goal: 366,000 words. For now. I’ve gotten Edo up to par, written a new story and gotten Terazuma’s character arc rolling. Not too bad, but I want to do some more editing this year. I’m considering Houritsu.

## Transmedia StoryTelling course – Review

I’ve recently taken I’ve recently taken a Course called `Transmedia Storytelling’ through the platform FutureLearn and I’ve been thinking for a while that I wanted to write a review. The problem was that I was not sure what to say about the course. I mean. It was not bad, and it did follow what it said it would do in the introduction page. And yet… and yet it was lacking something, and I am not sure of what. I think – after quite a bit of wondering – that it lacked the practical approach, or the case studies, which were only mentioned in the last week, where ‘successful example of transmedia’ were mentioned.

The course, by Sungkyunkwan University (SKKU) , provided quite a lot of information and definitions, but I’d say it was a bit locked – it barely spoke about anything that was not cinema-based, with some mentions of video games, and books only were brought up to speak about adaptations. And yes, while the Avengers have been a massive success, they haven’t been the first example of transmedia in the world. it surprised me that even if the course was taught by a South Korean institution there was no mention to the platform jump between cartoon – real life drama – films – comic – novels etc that part of the Asian creations seem to take quite easily.

The most interesting part was the differentiation between the idea of adapting a concept to different media and creating a world that can tell different stories in different media. This is an intriguing concept.

On the other hand, it focused a lot in the ‘consumer as creator’ angle, which I am not sure I understood. I am guessing it referred to videogames, especially building ones. There was a non-committal silence regarding fanfiction, too.

The course gave me the idea, however, that the creator was relegated to someone in second place, and I don’t really agree with that. Gee, I wonder why.

All in all, I took the whole course, although I won’t buy the certificate because it’s quite expensive… But it made me want to compose music for the story I’m working on… and I have discovered music is hard…

## The Last Yōkai War of Edo – Final First Draft

Back in 2014 I gave in to the plotbunnies and started working on the wrapping of the Hyakki Yagyō universe, or what at that moment I thought it would be – the Last Yōkai War of Edo. Apparently, it is one of those things that runs out of control. At that point, the story added up to roughly 40,000 words. Looking at it, it was clear how I had barely written the skeleton of a story – character development was next to inexistent, the main character just switched from trainee to well-trained in a chapter, without any real progression. The antagonist / villain was bad just because and had no motivation whatsoever. I knew that such a thing needed to be worked on, and the story told in a coherent way.

I’ve been doing so for a few months now. And thus the 40,000 have turned into 100,000. Around 10,000 of those had been written in snippets throughout a year or so, things that I wanted in but I had not really woven in.

So I put all them in a file and started working. The first thing was finding a good timeline, one that worked according to the development of the main character’s power and reactions. Then I had to work through the story to get from A to B, to C and then towards the end as I had first imagined it.

I had really not thought that I would be doing so many changes. About 20,000 words were completely retold – not an edit, a complete rewrite of the same events. On top of that, about 10,000 words of the finale were scratched out and re-done. As in the finale now has the same players but the events unfold in a completely different way. It was strange, reworking some parts like that.

All in all, the first go gave me a story skeleton, and this second run a first draft that more or less makes sense. Now I will let it rest for a while before I tackle an actual edit – and not a re-writing!

As I like working with track changes, I can show you how most of the document looked towards the end of edit. I’m shaking just thinking about how it might end up as… So yes, I have a “final first draft”, a complete story that now requires polishing!

## NaNoWriMo Sponsor Offer Review: Fastpencil Paperback Proofcopy

Everyone is entitled to mistakes, and in my opinion, FastPencil made one when they launched the NaNoWriMo 2015 Sponsorship. My initial idea had been reviewing it as “run you fools”, but I have decided that such a thing was not fair to them. While other times I have screencapped the process, I lost my patience with this, so, it did not happen this time.

The offer (which at the time of speaking can be located at https://nanowrimo.fastpencil.com/nanowrimo2015) shown in the image promises a free proof copy and a 70% off in a distribution package for winners. Nothing that we haven’t seen before, but always nice to try a new service.

1. Create the project. Fair enough.
2. Adding titles, descriptors, reviews and such
3. Listing authors and contributors
4. Choose a category for your book

Of course, this is my own opinion here, but before spending time filling forms, I want to see whether you take my file or not, just in case what happened happens. And what happened? That FastPencil expects you to upload a pdf/x file, i.e., one created with Adobe Professional or the pdf export tool from Microsoft Word in Mac. Both are professional tools towards the higher end of the spectrum. Most NaNo Writers won’t be using either, as the tendency is among the amateur pool. And the professionals usually have their own distribution channels by the time they are so.

Hack: you can use the Adobe Professional trial, active for 30 days in order to go around this problem. It will work for one time, but okay. You can walk around the problem (for me, it meant reformatting the whole $\LaTeX$ file in OpenOffice, export as pdf and convert to pdf/x in Adobe Pro). Not convinced by the result, I decided to try their manual formatting.

Importing the rtf files screwed the formatting up, so I found myself having to work on the html front to adapt what I wanted to one of the default styles they have. This is not “friendly” nor easy for most people, FastPencil (I show you html though, because is how I worked. You could work with rich text too).

• Item: out of the six offered styles, 4 are completely unprofessional, and look tremendously ugly. But that is personal opinion, you might disagree with me.
• Item: You must have chapters. They won’t take a one-shot, and the chapters must be sequential. While they do have a “short story” style, for some reason this separates the title on one page and the story on the next.
• Item: Dragging and rearranging “chapters” is a good idea, but the different types of “chapters” are not clear. What’s the difference between a “front matter” and a “back matter”? Why does something called “blank” allow you to insert code there, shows you results and just prints a blank page? If you let me insert code in the blanks, I will assume that you’ll allow me a no-number page that I can use as separator. I’ll obviously assume wrong.
• Item: The preview takes me through the whole compilation project, and I have to download a file every time. This would not be so annoying if the process worked every time and not just 50% of the times. And I like seeing what I’m doing. Shame on me, that I need to check that everything is according to what I design.
• Item: Erasing blocks will take me back to the project page so I have to start the process over again.

Finally! The project is “finished”. By now I’ve dropped two designs, my lovely $\LaTeX$-pdf, a short story, the kanji separators that I made for between-stories and my hope of getting a non-link-blue table of contents and spent about 7 hours (in different days) in the whole project since I started the FastPencil part.

Now it’s time to go through steps 2 – 5 that we did for the pdf, as this is a “new” project, render the pdf (and here apparently people other than me have been stuck for hours) and if you want a physical copy agree that it’s going to be \$9.99, just because + an extra which will depend on how many pages you’ve got (\$0.04 per page). This is for both “marketplace” and “private copy”. The “publishing package” is over \$200, and you have to “commit to buy” now (you would be able to change your mind later, but yes…).

Then you make covers, you’ll have to upload your png of pdf according to the sizing, but the spine is automatic. Make sure you have a look before you choose your cover fonts, you don’t want them to clash too much (again, people have complained about long rendering times. I did not have that issue).

You check the preview, you approve it and you get to ordering (and yet again, people have been complaining about issues here). You introduce the code and the \$9.99 + pages. In my case, 60 pages added up to \$13.61, plus \$1.50 handling, a grand total of \$15.11. I type in the NaNoWriMo discount code and… \$13.61 go away. The handling stays. “Free copy”? Nope. Not if I have to pay \$1.50. But okay. I’ve gotten this far, I can spare \$1.50. I click order.

Shipping charges: \$85.53 from USA to Spain. Screw you, FastPencil.

For the record, though, I did contact them and asked if there was a chance for a more reasonable shipping method, but as I started looking into the forums and Twitter, I saw that it was the tendency. Other charges I’ve come across: \$40 to Canada, \$144 to Sweden, \$76 to the UK and my favourite:

Obviously, FastPencil did not think this through. They did not take into account international shipping at all. they did not realise that their target was not a pool of professionals. I am a bit savvy with computers, and it took forever to get everything to work. FastPencil claims that they offer “publishing made simple”. If that is simple, give me complex code, anytime.

No, I did not order the book. No, I’m not planning to. Hell, I only have three more words to say about FastPencil: “Run you fools”. And now you know the whole story why: Everyone is entitled to mistakes, and giving FastPencil a chance was mine.

Edit: I thought that the review would end here, but no! There’s still more to it. As I was not going to use their service, and concerned with privacy, I decided to delete my content and my trial experiments from the site and their servers. I was able to erase the “project” but I was stuck with the “publication”. This means I was able to eliminate the editable part, but not the generated pdf.

Thus I took to support and found the page to the right (now updated after this Twitter exchange), printed and thumbnailed for convenience. After looking up and down for the “delete” button I contacted support and reached out via Twitter. Apparently, no, you can’t erase your own content on your own, which for me is a bit unsettling. Once I provided the url and title, the “project” does no longer show. However, this process makes me feel uneasy about the whole content management idea.

Of course, the easy version of this would have been to just edit the project blank, but I did not know at the time that I was going to be unable to delete the generated pdfs. Erasing content when the file was an uploaded pdf was easier, as the only thing I had to do was removing the upload.

Unlike the email regarding shipping, which I sent on January 27th, this was dealt with swiftly. I think it was more efficient as I sent a support request from the page, logged in, rather than an email. Maybe public mention on Twitter helped, I don’t know.

Long story short: Erasing your content is not completely in your hands. The updated page does not even mention the possibility of erasing a project yourself.

## Closing Balance 2015

As it has become a tradition, the first days of January I look back at how the previous year was, writing-wise. This is what I was working on during 2015 and the resulting wordcount.

 Title Words Blog 7350* Short Stories 11206 Shourai 170209* Secrets 6576 Hyakki Yagyō universe 59308* The Vortex 27118 The SpaceShip Ghost 28591 The Lesser Evil 6846 Operation Teaspoon 10018* "Untitled" 65863 Grey Shadows and Shades 27272 Atlantis 4545

As you can see, Shourai was the most-growing work of the year, and that makes sense as it was my November project. It is marked with an asterisk because it is not even done in a raw version, it still needs content written. I think that in general it makes my graphs look ridiculously blue.

The Hyakki Yagyō universe was project #2 of the year. Even if “Untitled” has a highest wordcount, that is a raw version, while Hyakki Yagyō has been on the revision and freshening stage – I am at the moment working on the second long story, trying to make sure that everything written is up to standards, there are no Koreans in any bedroom, and to improve the storytelling and character development. The original plan for “Untitled” changed as I wanted to get three stories out, but one did not pan out, thus leaving the 66k to be divided between two – the main one ad a short story.

I’ve written a bunch of short stories both independent and some others related or in the same verse. A couple of them might be integrated into longer writings in the future. Secrets spread from 2014 into 2015 and was finished earlier in the year, so that is good too. Furthermore, I apparently did not leave the blog as unattended as I thought I had…

I can show you in graphs, too, so you can get an idea. The final wordcount was 420,357, I am sure that hugely helped by NaNo extravaganza this November.

Do you see what I meant with “ridiculously blue”?

I also managed to write ‘daily’, most of the days a total daily count of 500 words between 00:00 and 23:59. However one day I kinda cheated as I finished at around 00:15 the next day. There, I confessed.

All in all, I finished all that I started this year, or it is still an open project (maked up on the wordcount table with an asterisk. However, this is what I said I wanted to do for this year in the corresponding post:

Now, what’s the plan for 2015? I am not completely sure, but it involves quite some more editing, mainly on the Hyakki Yagyō universe, along with finishing off the tiers and connecting short stories. Hopefully finishing the first draft of the last of the Osaka Shikigami books so I can start working on it as a whole, too. And with any luck, finishing Secrets.

Let’s see how that fared:

1. Lots of editing in the Hyakki Yagyō universe ✓
2. Finishing tiers and connecting short stories ✓ (partial. Some more ideas popped up)
3. Finishing first draft of the last of the Osaka Shikigami books ✗
4. Finishing Secrets ✓.

Not that bad… I feel bad that I did not even touch the Osaka Shikigami project though… Thus, regarding to 2016 goals, here they are:

1. Finish rewriting the raw for The Last Yōkai war of Edo to have the full version 1
2. Finish Shourai raw
3. Finish the Osaka Shikigami raw (book 6 raw / first book version 2)
4. Bugger the person I’m collaborating with to finish Operation Teaspoon

Have you noticed the pattern?😄 If 2015 was the year of writing outside the box, and don’t get me wrong, it was fun, I would like 2016 to be the year where I finally write “the end” on those never-ending projects. I would also like to keep writing daily. And I know that most probably I will get bitten by a new or old plotbunny sooner or later, though, as my notebook is quite full of ideas, and so is my brain. After all, it is not an easy place to be, my mind.

And that’s all for now! Happy year of the monkey!

## Shourai Writing during NaNo [December 1, 2015]

This that time of the year when I usually decide that this was my last NaNoWriMo because I’m usually in the creative slump after the month. This year however has been a bit different from usual.

For starters, I did not create a project from scratch. This gave me a sense of familiarity with the story I don’t usually carry – let’s ignore how last year I worked on Shourai after finishing Houritsu, too. That was not planned, not originally, so it was hard. This time I really wanted to give Shourai a push, because it has been stuck forever and a day. I am not completely sure that worked, judge yourself. The left side of the picture shows the original timeline, with what was planned for NaNo marked in bright blue, and what was actually done for NaNo in dark green to the sides of the column. Generally, red means not written, yellow means “written fragment, unconnected”, orange has to be redone, and light green means done. Purple is “whoooops I forgot that this should have happened, do I insert here or do I flashback to it later?”

As you can see, the right column, which shows what is currently done, shows some more light green. Still not enough, I’d say, and some more has to be added to the timeline in order to reach the ending. Because for the first time I have an ending in sight.
Let’s talk Shourai numbers:

• Written this NaNo: 150,009 words
• Average NaNo Daily wordcount: 5167 words
• Best NaNo Day: November 1st (Sunday): 33,001 words
• Worst NaNo Day: November 25 (Wednesday): 2,284 words
• Written this year: 170,209 words
• Current total: 278,171 words
• Number of chapters: 84

This year I took upon myself the challenge of documenting the writing process, so I ended up with tables and writing time graphs:

I should do some numbers (or ask someone to do numbers for me xD), because maybe they tell me interesting stuff. Who knows. For now let me show you graphs:

Here’s what I did compared to the NaNo daily count:

And here is what I did this year compared to the previous years. Notice how last year’s count was ridiculously straight😄 The graph shows the cumulated daily wordcount for each day, every year in a different colour.

But I have more graphs! Here you can compare how much I wrote each day for every NaNo I have attempted, including zeroes because I am honest:

Something I’ve noticed was that apparently I… fluctuate during NaNo, daily wordcount wise. The following graph shows the daily wordcount, stacked yearly, one on top of the other (so total wordcount for November 1st, 2nd, etc…). As this is my seventh NaNo, there should not be a deviation regarding the day of the week, and yet, the results are confusing. I’m open to theories, what do you think? What bites me on day 20?

What have I learnt this NaNo? That if I want to aim for high wordcounts, I need to stories to work on. Or at least different points of the story to work on? Switching back and forth in Shourai, as well as adding the flashbacks has worked, but at some points I have lost drive, which was not the best way to work around.

The Timeline + Planning scheme, worked really well though. This means I had the timeline as I have shown you, and a notebook with a description of everything that had to happen, which basically translates into bad grammar, arrows instead of verbs, bizarre and obscure colour-coding, asterisks and other strange symbols. I think I’ll adopt it when I tackle working on the Shikigami verse again, which I hope is summer 2016.

Thus, 2015 was a good, productive NaNo. I gave Shourai a good push and even though I felt like stopping a couple of times, I managed to go through. I considered a new story when I was on day 15th, but I know that I need to push towards finishing the three big verses I have open – never mind that I am starting a short story today. That is a short story. Under 5000 words, because the rules say so😉

Also, I need coffee, apparently. So please excuse any grammar horrors you might encounter in this post.

## Shourai Writing during NaNo [November 22, 2015]

This is how things look at the moment. I’ve had to limit my writing sessions to three per day, separated in time by a couple of hours at least because I screwed my wrist the other day in an unrelated deed. I would like to get to the tie in before NaNo ends but I am getting a bit sidetracked – maybe demotivated? Or maybe distracted by wanting to work on other stuff?

This is how things look at the moment, with a little over 130,500 words, which is already more than the roughly 122,000 on the original story. And thus, Shourai is 252,700 words. I’ll leave the report here for now as I want to save wrist power.

## Shourai Writing during NaNo [November 15, 2015]

Even if yesterday’s news were unsettling and I probably refreshed the BBC livefeed more than is healthy, I decided to write (and to delete the whole philosophical explanation on why I wrote). Thus I hit and passed 100,000 words during this NaNo, which takes the whole Shourai count to 223,690. On top of that, I have now a new colour for one-liners, which represent things that popped up as I was writing, tying the story together.

I’m surprised about how well Hayato’s point of view is coming together, as he did not have a POV before, and for a long time he was barely a supporting character. He has quite definitely raised up the pyramid of importance. That’s good. On the other hand Ryu remains emotionally important but his subplot is hard to write.

I finally got Sawamura in! And damn I fear this is going to be the beginning of another macro-crossover. Bugger. Anyway. Here you have the most recent graphs: